This time, the fearless Indiana is looking for the most mysterious relic in human history – the Holy Grail. In this, the archaeologist is assisted by his father, Professor Jones Sr. Now, under the watchful eye of her father, Indiana has to accomplish many noble feats and amazing discoveries. In new wanderings, the brave archaeologist will have a chance to get the cup that Jesus Christ held in his hands and get an autograph … of Adolf Hitler himself.
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The most fantastic, the most incredible, the most improbable and at the same time the most technically perfect, the most spectacular, the most spectacular, the most exciting and … the most fun part of the famous franchise about the adventures of a restless archaeologist.
Steven Spielberg and George Lucas did their best to create the third part of ‘Indiana’ so as to honorably complete the film series and remain in the people’s memory as the creators of one of the brightest and most even series of the magnificent trilogy. The film is almost perfect – it is a perfect adventure film, without which it is probably impossible to imagine the youth of the early 90s. And now the tape looks surprisingly fresh and much more exciting than modern blockbusters.
The film has a surprisingly light and unbelievable script, which at the same time manages to avoid stretching, overlap and sagging. The film has a frantic pace, it simply does not give a break for a second, it transfers from one adventure to another, even more dangerous and interesting. This is what I call drive. It is simply impossible to get bored with this film!
This film, the only one from the movie series, has turned into almost a full-fledged adventure comedy – funny dialogues, comical positions, funny skirmishes are poured off the screen, despite the fact that, like any adventure film, ‘Indiana’ is accompanied by violence, love, death, – it remains the ideal film for both adults and children. It has an atmosphere of mesmerizing, breathtaking adventures, mystical secrets, real heroes and an endless pursuit of something inexplicable. Excellent scenery, special effects, costumes, heroes help to recreate this atmosphere …
Like any other Spielberg film, everything here is calculated and verified to the millimeter. Of course, the king of Hollywood was most likely in charge of the usual commercial calculation, but if the mainstream reaches such a level as ‘Indiana’, I am with both hands and feet for such a mainstream!
The film invites us to zip along with Indiana Jones, played by the unfading Harrison Ford, between cities and countries, between continents, and even between times. This time, it was not a woman who, of course, was necessarily present, and a woman insanely beautiful, but on the dark, alas, side, but his own father, who fell into his assistants.
The introduction of the absent-minded and typically ‘armchair’ scientist Henry Jones into the narrative and his running around with his son for the Holy Grail, apparently, decided the fate of the film. The skirmishes between father and son Jones would do the honor of any sitcom. Of course, the fact that Sir Sean Connery himself appeared in the role of the father – the actor is not only charismatic, but also really talented, so this time Ford had a solid rear.
However, as always in such films, there are many other equally colorful secondary characters and gigantic extras that Spielberg cannot do without.
The film is effective, spectacular, beautiful, fast, enchanting. This is a real masterpiece of the genre and one of the best in the treasury of the great director. He has won audience love all over the world since its inception, but even now it can quite successfully compete with the audience with dumb, albeit more spectacular, but some kind of dead blockbusters. Indiana is alive, real, spontaneous, sincere, passionate. Unfortunately, modern cinema is very poor in such heroes. Therefore, they now decide to resurrect this classic image, because no one has occupied its niche, and one wants to continue the adventure!
See the next part: Indiana Jones and the Kingdom of the Crystal Skull 4K 2008
Codec: HEVC / H.265 (49.7 Mb/s)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
French: Dolby Digital 5.1
Italian: Dolby Digital 5.1
Japanese: Dolby Digital 5.1
Japanese: Dolby Digital 2.0
Russian: Dolby Digital 2.0
English SDH, Mandarin (Simplified), Mandarin (Traditional), Danish, Spanish, French, Italian, Japanese, Korean, Dutch, Norwegian, Russian, Finnish, Swedish, Thai, Japanese.