2018 year. In the world there was a war with cars. John Connor is a man whose fate is to lead the Resistance to the electronic brain of Skynet and the army of Terminators. But the mysterious Marcus Wright wedges into the future, with faith in which he is returned: a stranger whose last memories paint a death row.
Connor must understand who this Marcus is and for what purpose he has come to people. And against the backdrop of SkyNets preparations for a decisive strike, Connor and Wright embark on a journey leading them to the very core of the rebellious operating system, where a terrible secret reveals itself behind the potential destruction of humanity.
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In 1984, the young waitress Sarah Connor did not know what a terrible future awaits humanity in just two dozen years. Worse still, an Austrian bodybuilder is chasing her with a very severe disposition and a good taste for weapons. The heroine mother survived. After 7 years with the already radically matured Arnold, she decided to prevent the war of the minds, but could only extend the ephemeral existence of the biped. And in 2003, Jonathan Mostow stepped on the earth from the planet of bad directors with a devastating mission – to frame James Master CameronÂs masterpiece frame by frame and poorly, capturing in parallel human brains. He almost succeeded, but he could not finally capture the society in the longing for tastelessness.
As a result, the generation survived the movie year, and finally came the savior with the task – to restart the franchise. Oh, a panacea! Without claiming to be a masterpiece, wanting to modestly make a very good film – a real tribute to Cameron’s merits, Joseph McGinty Nicol assembled an intelligent team of militias and won the first battle, albeit with heavy financial losses. The film turned out as if there was no Mostow.
ÂSavior clearly follows the plot truths of the first terminators, returning to the tetralogy the simple concept of acting, the origins of dramaturgy, and emotional tension. The director showed us the future, which Michael Bien and Arnold Schwarzenegger slyly hinted at, the fate that Linda Hamilton redrawn twice, following the principle of “there is no future except what we create ourselves.” But Nick Stahl did not make the most outstanding leader of resistance, to the delight of mechanical brains. The war has begun.
Post-apocalypse turned out to be a terrible result of the seizure of power by human friends – computers. The world of “crazy Max” and large-caliber guns: cars have increased dramatically in size, increased armor and instantly rethought their existence. From the position of the strong, the adversaries went to war to the glory of the father of the entire cybernetic, great and mighty Skynet.
Anarchy is on the planet, fear is in the hearts. An easy excursion into the theme of giant robots, transformers of terrestrial production is pictorially represented in the McG chronicles, which documented the course of developing events. The inevitable war of man and robot is shown with all possible technical splendor. And in this explosive beauty, the plot calmly feels, intensifying intrigue up to the very final credits. ÂMay the Savior come is balanced balanced, retained the privilege of starting another epic …
We got a new story, a spectacle of another millennium parallel to CameronÂs universe, all of the same family of Terminator-like, authentically detailed and motivated in the same way. The audience will like the new film or not, whether they find flaws or go around them, enjoying the visual beauty, but the directorÂs work of a true science fiction writer, McG, is visible to the naked eye. Bale, Warrington, Yelchin gave the characters of their characters super-sufficient depth, psychological logic. They played the parties as if by notes, each in their own way starting a story, acting as an important plot-forming element. The incomparable Sam Warington wants to believe, along with Christian Bale, side by side with the savvy Anton Yelchin – at least now to go into battle. But for now, we are only welcomed a one-time visit to an excellent film, shot on human emotions, honestly and professionally, although it has failed at the box office in the United States. They did not understand, they were afraid of terrible prequels, remakes and other “wolverines”. What is called non-format, and this is its modest uniqueness.
Codec: HEVC / H.265
Resolution: Upscaled 4K (2160p)
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
Note: No Dolby Atmos. Cover error
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